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U.S. Built Custom Bicycles in Titanium and Titanium-Carbon Mix

Being World Champion – Mo Bruno Roy

You don’t get to be World Champion by sitting still. You don’t stand on the top step of that podium just by being “talented” either. And certainly, it isn’t a bike that puts you there, although we couldn’t be more thrilled that it was our bike that carried Mo Bruno Roy to the Single-Speed Cyclocross World Championship this weekend in Louisville.

The SSCXWC is an irreverent event. There are costumes. The winner gets a tattoo and a legendary golden swimsuit to receive their medal in, but it’s also a fast race dominated by seasoned professionals.

There are years of work that have gone into this honor for her. So much training. So many races, big and small. Local dirt crits. Belgian World Cup events. Lots of wins, but also lots of finishes staring up the leader board and wondering what more she could have done. Some people call it paying dues, but that’s a negative way to express what Mo has done in her career. What she has done, and what we think makes her so worthy of this honor, is live the cycling life completely. There is a level of commitment there that goes beyond showing up for races year after year or cultivating sponsorships. She brings all of herself to cycling, and that’s why we’re so proud of her and why we’re honored to work with her.

When we see Mo around town, she’s on a bike. When we see her at a race, she might be giving a clinic for new riders or doing an interview, spreading the joy of cyclocross, cutting up, visiting with friends. Cycling doesn’t so much define her as she helps define cycling in the way she lives her life. These are sorts of people you want to work with as a bike builder.

Mo is not a powerhouse. She’s the type of racer who depends on long experience and superior bike handling skills to overcome stronger opposition. Make no mistake, she’s plenty strong, but that’s not what makes her so good. She is a great cyclist, fast, canny, skilled, the complete package.

And now she is a World Champion.

 

 

Mud and Elegance, Grime and Grace – Ali Engin

Mo Brudo Roy at the XC races

Ali Engin’s photos of athletes in motion are elegant and graceful, even under the most grim and grimy circumstances.  His photo of Seven-sponsored rider Mo Bruno Roy dashing up a set of stairs against a vast blue sky, surrounded by onlookers, captured the dramatic tension of top-level cyclocross so well we decided to make a poster of it.  To us, his image says it all about the essence of racing cyclocross;  painful yet exhilarating, terrible but beautiful.

Ali’s pictures always make dramatic and dynamic use of light. Colors burst through his lense. His unique style sets him apart from many other talented photographers working at our favorite events, and we were lucky to be able to work with him on this project.

Check out more of Ali’s photos on his website.

Love to Ride – The Photographers – Kristof Ramon

Mo Bruno Roy at the CX races

The excitement of a bike race is very rarely captured in the single click of a camera’s shutter. There are so many intimate details in the course of a day, a story that starts before the whistle blows and continues long after the finish.  The story is told by faces of pain, in loss or injury, or even in moments of extreme joy. There are nervous glances and rituals behind the scene, environments of beauty, tranquility and sheer chaos.

Kristof Ramon has an eye for such intimacies.  His photos of large bike races such as the Paris Roubaix  and most recently the Ironman 2012 World Championships evoke emotion while simultaneously giving us context for what is happening in the shot.  His ability to capture the very essence of what it means to be a cyclist and athlete makes him a story-teller as much as a taker of pictures.  His photos tell both action and the in-between; the glamour and the grit.

We were honored to be able to use one of Kristof’s photos for the Love to Ride project, a haunting portrait of Seven-sponsored racer Mo Bruno Roy at the 2011 World Cup Cyclocross in Namur, Belgium.

The Birth of Mo Pro 2.0

Mo Pro 2 frame nearing completion

A few weeks ago, Mo Bruno Roy returned her original Mudhoney PRO prototype. Affectionately called the Mo Honey PRO, that bike was the test case for the bike that became the production Mudhoney PRO, the bike that customers all over the world have ridden over the last season. Mo’s original was put together with hand cut and filed lugs, and she raced it hard this season so we could know more about our basic design assumptions, and to gather experiential data for the second iteration, Mo Pro 2.0, of this race-specific machine.

Rob going over specs for Mo

During our debrief with her, and with her mechanic/husband Matt Roy, we noted a few big, necessary changes. First, Mo wanted to change her riding position. She wanted to come forward, and up a little. To do that, she needed to make some component changes, and to maintain the handling she prefers after those changes, we needed to adjust the geometry. Easy enough.

Next, she wanted more tire clearance at the chain and seat stays. The original prototype was built with tight tolerances for racing, but we learned that just a little more mud clearance would be better. That presented a unique challenge, because Mo’s frame is small. In order to get the clearance she wanted, we experimented with a single-bend, butted seat stay designed specifically for carbon bonding. That little bit of bend gave us just what we were looking for, and it represented a step forward for the super thin stays we’ve been working with for Mo’s race bikes. The complimentary chain stays required 20 separate operations in initial machining. This is serious stuff.

Parts of Mo's frame ready for assembly

In the past, we’ve built bikes for Mo that could be adapted to multiple purposes. A little attention from her pro mechanic husband would convert one of her race rigs for road training. Not this bike. Mo runs a somewhat unique crank set with 34/44 chain rings, and her seat/chain stays are optimized to work only with those rings, coupled with a 32mm tire. This is as race specific as a bike gets. It’s a bike for now, for winning races.

We opted to build for cantilever brakes, too, but only because race ready, drop bar, hydraulic disc brakes aren’t quite ready yet. Again, we wanted to build her the optimal race bike for right now, not a bike with compromises for future adaptation.

The final design hurdle we chose to address was toe overlap. Conventionally, a frame this small would have some overlap, and through the years, this was always something Mo was comfortable with, even though we offered to do away with it for her. This time out, we made some adjustments to the geometry to eliminate it, and that gives her more confidence in the technical sections of the cyclocross courses this bike was meant to destroy.

bottom bracket, chainstays and dropouts of a 622 in production

A lot of work went into pre-build design on the Mo Pro 2.0, and that led to a marathon build session that lasted long into the Friday night before Mo’s first race on it, on the Saturday. Seven Production Manager Matt O’Keefe did the final machining on this one himself, before handing it off to Staci for the rock star decal treatment.

As ever, our sponsorships are aimed at exactly this sort of collaboration. We built the original bikes to prove a concept we wanted to bring into production. After building the first generation prototypes, we then designed all the fixturing we would need to do the same design for customer bikes. In turn, the fixturing informed the accuracy and evolution of the second generation bike, which taught us about new ways to manipulate thin stays for small builds. It’s this thread that connects all our design and build work and allows everything to move forward, and to be able to pursue that thread with the input and participation of pros like Mo and Matt makes bike building fun. It reminds us why we do this.

A tin of homemade cookies

Another solid reminder came in a Christmas tin a few days later. Her feedback on the bike itself is exactly what we wanted to hear, that it combines the best of her first Seven race bike and the first generation Mo Honey PRO. That confirms that we’re listening, and without listening you can’t build great custom bikes. It doesn’t matter whether you’re building for a pro like Mo or someone who will never race a day in their lives. The process is the same. Listen to what the rider wants. Apply everything you learn to everything new you want to do. Keep building. Keep iterating. Occasionally, just occasionally, stop to eat the cookies.

Matt made a cool time lapse video of the build that you can see here:

Project Codename: #MoPRO2 from Matt Roy on Vimeo.

And we were also fortunate to catch the eye of the Velo News staff at our very first race. Emily Zinn did a photo gallery of the project for their site.